3/18/2024 0 Comments Signal art reamp boxFor our next installment, we will dig into the specific settings needed for each of the most popular DAWs so you can follow along and ensure a flawless Reamping session. That covers the basics of a typical Reamping setup, and as you can see it only takes a few simple steps to incorporate this extremely useful process into your workflow. Lastly, if you find yourself Reamping a lot, instead of having a separate DI and Reamp® box, you can get a two-in-one unit like our Reamp® station. Also don’t be afraid to add some of your DAW’s effects like EQ or limiting when sending out your signal as well. First, get the output level of your direct track as high as you can (without clipping) when you send it out of your interface and into your Reamp® box. Here are a couple extra tips to help you get the most out of your Reamping setup. Check out part two of our Reamp® Academy video series for a direct comparison between the original and Reamped tracks that really shows the difference that a Reamping a track can make. Before recording, make sure to create a new track in your DAW to capture the signal from your microphone, and set the output of this track to the stereo bus (or any channel other than the output you are using to feed the Reamp® box). As your interface sends your dry guitar tracks to your amp and pedals, it will also be recording your newly created amp tracks at the same time (see figure 7). Matching is crucial, I cant stress it enough. ![]() This feature is crucial for getting the reamp signal to exactly match the direct signal. And being able to switch between direct and reamp signal by just pushing one knob is priceless. This is where you complete the Reamping process by mic’ing up your new rig (see figure 6) and pressing record on your DAW. The Little Labs box is both a DI and a reamp box all in one. Passive acoustic and electric guitars deliver high-Z signals. The basic concept of a DI is rather simple it’s a box designed to convert a high-Z (high impedance) signal to a low-Z (low impedance) signal. Adjust the volume control on your Reamper and bring up the level in your DAW if necessary to get the same output from your amp as if the guitar were directly connected to it. The term direct box, or DI, is short for direct injection box. Because a Reamp® box converts the lo-impedance signal coming out of your interface into an instrument appropriate hi-impedance signal, your guitar equipment will react with much of the same detail and dynamics as it would if you were plugging a real guitar directly into it.īefore moving on to the next step, hit playback on your audio interface and have a listen to ensure you’re hearing the recorded track through your amplifier. ![]() This is where you can start experimenting with different cabs, effects pedals, and amp setups. You can connect directly to an amplifier if you wish, or to your pedalboard first to add any desired effects before the amp. Once you have the Reamp® box connected to your interface, the output of the Reamper can connect to your guitar rig using a regular 1⁄4″ instrument patch cable (see figure 5). If your interface doesn’t have a dedicated output to send your tracks to, you can actually use a specialized Reamp® box like the Radial Reamp HP to Reamp® your tracks via your interface’s Headphone Jack instead. Then connect the line-level output of the interface to the input of a Reamp® box (see figure 4a & figure 4b). if its only to add FX I would see what kind of results you can get without it first.After you’ve recorded the performance you are happy with (or once you have edited together a comp to create a final take), assign the recorded DI track in your DAW to one of your interface’s outputs (see figure 3). I started with a Model D synth and guitar pedals similar to your scenario but I found the reamp wasn't necessary for my particular situation. While you can skip the reamp box I never liked the results of a line level signal going into my rig. I primarily use the reamp box to send a dry gtr track to my amps for "reamping". If I want something pristine I stay in the box but using an analog delay where the tempo is never truly locked gives me a nice addition. While it's TRUE, I am going into those fx with line level I am returning them to inst level on my interface, while doing a trim on the external FX SEND in my daw. ![]() I do not use a reamp box for that but I also wanted a "different" outside the box flavor. This means it does not require any external powering. Analog Delay, Chorus, Rockman, pocket POD, also an old pioneer spring reverb that was built for stereos in the 70/80s. The Radial ProRMP is a 100 passive Reamper. I actually have a few pedals hooked in my DAW as external FX. ![]() Basically your looking to change impedance.Ī regular DI will go instrument to mic levelĪ reamp device goes line level to instrument level.
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